Going Green on BBC Children in Need 2021

In a blog from BBC Studios’ Executive in Charge for Children in Need and The Big Night In, Peter Davey shares how the Children in Need production team is driving down its carbon footprint.

It goes without saying that Covid has forced us to change the way we produce TV. But there’s another C-word that’s been driving change at BBC Studios – Carbon. When it returns to our screens this week, BBC Children in Need 2021 will continue to drive down its carbon footprint, building on the sustainability lessons learned when we were forced to rethink production on The Big Night In which was commissioned at the height of the UK’s first lockdown in April 2020.

When I signed up to Executively Produce The Big Night In, my first thought was how we would overcome the creative challenge of making original material whilst in lockdown. But what we hadn’t fully appreciated at the time was that in doing so we would slash our carbon footprint and re-write our own best practice.

There were three key factors that helped us achieve this:

Lockdown meant that travel was limited to what was absolutely essential, so we began asking ourselves “Who needs to be here and who could do this from home? And how can we harness the latest technology to do this remotely?” And if a particular skillset was required to do a job, we’d check first if there was someone available locally.
We harnessed the power of user-generated content and tried new things. We came up with the idea of The Strictly Keep Dancing Challenge, which was something everyone could do at home. Viewers could learn a dance and send in a video, and see themselves on screen dancing along the pros. It worked a treat!
We also benefitted from the willingness of our stars to film themselves. The added bonus was that they were able to contribute from wherever they were and in their own time, and that opened the door to a world of talent that may not have been able to contribute otherwise – who remembers David Schwimmer lip-syncing to All By Myself whilst walking along the banks of the Hudson River in New York?!

As a result The Big Night In produced less than one tonne of carbon for the whole programme! Given that in 2021 on average productions across the whole industry produced 4.4 tonnes, this is an amazing achievement.

This, coupled with BBC Studios’ commitment to 100% of its programmes achieving Albert footprinting and having BAFTA Carbon Action Plans to reduce carbon, means we continue to push our sustainability best practice, pioneering new approaches.

These are all practices that would have been unthinkable a little while ago but are now an everyday part of how we operate. As producers, our challenge is to make the most of it!

This year’s Children in Need promises the same mix of stars, glamour and some of the UK’s most inspiring stories, but with a smaller carbon footprint than it had historically.

We’re continuing to build on the possibilities of user-generated content by inviting viewers to film themselves dancing along to a Tom Grennan track, so that we can combine a traditional studio performance with user-generated content.

We’re also excited to be working with some major recording artists on our charity single, each of whom have filmed themselves for what promises to be a memorable performance.

And audiences can look out for comedy performances from Britain’s most beloved puppets from the past and present, all filmed on location by local crews and stitched together seamlessly by us (no pun intended!)

Crucially, as well as bringing the nation together for a night of brilliant entertainment with heart and purpose, audiences can expect us to continue to produce sustainably to keep our carbon usage to a minimum.

Peter’s tips for improving sustainability in production:

Think small! Who absolutely needs to be there and who can do their job from home? Is there someone better placed geographically to carry out the task? The gallery during Children in Need usually has 15-20 people there. During The Big Night In we had four. That was extreme and a huge challenge, but the lesson has lasted.

Sustainability is a shared responsibility, and everyone on a production needs to be invested. This isn’t a tick-box exercise for the production management team – everyone has a role to play. Creating a Green Memo that everyone contributes ideas to is a great way of driving engagement and increasing impact.

Be open minded. Be willing to work with your sustainability leads and open to their recommendations, and continue to be curious about how you can improve. There’s always more that can be done!

Notes to editors:

BBC Children in Need will be on BBC One from 7pm on Friday 19 November.

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About BBC Studios

BBC Studios, a global content company with bold British creativity at its heart, is a commercial subsidiary of the BBC Group, supporting the licence fee and enhancing programmes for UK audiences. Able to take an idea seamlessly from thought to screen and beyond, its activities span content financing, development, production, sales, branded services, and ancillaries across both its own productions, and programmes and formats made by high-quality UK independents. Award-winning British programmes made by the business are internationally recognised across a broad range of genres and specialisms, with brands like Strictly Come Dancing/Dancing with the Stars, Top Gear, Doctor Who and Bluey. BBC.com, BBC Studios’ global digital news platform, provides up-to-the-minute international news, in-depth analysis and features to more than 145 million unique browsers each month. BBC Studios has offices in over 20 markets globally, including ten production bases in the UK and production bases or partnerships in a further seven countries around the world. The company, which ordinarily makes around 2000 hours of content a year for both the BBC and third parties including Apple, Netflix and Migu, is a champion for British creativity around the world. It is also a committed partner for the UK’s independent sector through a mix of equity partnerships, content investment and international distribution for programme titles.